The high point of Daniel Craig’s portrait of James Bond over five movies is undoubtedly the moment in Skyfall where Bond runs through London to rescue M, portrayed by Judi Dench, as she finishes her testimony in front of a select committee—assembled to put her and her agency out to pasture—with the closing passage of Tennyson’s Ulysses. The duality of meaning embedded in this sequence is profound. In the movie itself, the depiction of the ageing and wounded, but still capable, hero encapsulates the narrative arc of James Bond, who in Skyfall has almost literally come back from the dead to save his country. In a wider context, Tennyson’s closing lines can be seen as the saplings of a post-empire English identity, in which erstwhile grandeur and power have been replaced with grit, determination, and pride—and more distantly, with common sense, decency, and respect.
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